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 SOM To Refine Arrowhead Quay

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Mr007
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PostSubject: SOM To Refine Arrowhead Quay   SOM To Refine Arrowhead Quay EmptyMon Dec 06, 2010 1:43 am

SOM To Refine Arrowhead Quay

Ballymore are having what is one of the longest running tall office projects in London refined to bring it up to date and add appeal for a planned delivery in 2009.

The 111 metre tall Arrowhead Quay designed by Skidmore Owings & Merrill was originally floated back in 2001 and has been approved for over 5 years now by Tower Hamlets. This makes it very much a product of its time and the requirements and planning environment have both moved on a bit since.

Sitting on South Quay in Docklands just over the water from Canary Wharf the project is something of a rarity these days of a tall office building in an area where developers are gradually switching to increasing amounts of residential accommodation. Ballymore did dabble with this previously for this site but it appears they will be sticking to a single office building.

The current design of Arrowhead Quay is basically a typical glassy corporate box in the polished style that SOM do best in the International Style that compliments the nearby office buildings on Heron Quays.

As well as offering 45,000 square metres it will give occupants quality relaxation areas in the form of triple height atriums creating airy spaces within the building.

One possible thing that can be redone is the height of the existing building which at 25 floors is capped to the height limits imposed on the area by Tower Hamlets in their Millennium Quarter plan. These limits have become guidelines as developers, namely Ballymore themselves, have gradually pushed further and further with repeated planning applications.

This isn't the only development under the architect's pen at the moment. Chantrey are also working on a new development for South Quay that will apparently have details released before Christmas.

Combined with Arrowhead Quay, these two schemes should move the proposals from the area on past the original and rather restrained Millennium Quarter plans into something more reflecting the renewed confidence the area is experiencing.

babycykel
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heroisthai
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PostSubject: Re: SOM To Refine Arrowhead Quay   SOM To Refine Arrowhead Quay EmptySun Mar 06, 2011 8:17 am

Radiohead have carved out a very unique sound, a sound which I dub 21st Century Cocaine Music. It's electronic, it's frantic, and it's incoherent, like you're speeding down a long tunnel at 2 A.M. in a black Mercedes and two people you just met at the nightclub are doing lines and screwing in the backseat. And yet, for all it's manic anxiety, the core of their sound is numb, like all of this is being broadcasted by a man in a coma, and I say that with all the love in the world. Kid A especially takes on and embraces this tone. It's an album of contradiction and duality, it's electronic yet organic, elusive and fragmented yet precise in the emotion and meanings it evokes.

'Yesterday I woke up sucking a lemon. There are two colors in my head.'

That's the sort of fragmented, detached images we are given right at the start of the album. This album is lyrically populated by the sort of lines that stands on the fence between heavily symbolic and perhaps that joking Dylanesque throwaway that makes the songwriter grin as dipsh*t reviewers like me try and dissect them and find a hidden meaning. The sorts of lines that while being interviewed the songwriter goes 'I don't know where that came from. Your guess is as good as mine.' This is a subconscious album. The purpose of it's lyrics are not to give you concrete meanings but phantom tones and images that evoke whatever feeling that happens to be associated with it. For each listener it's different and that's what makes it so special. And that's also what makes it so frustratingly elusive.

I love the image of the carnival. The symbolism. It's such a bittersweet and perverse sort of atmosphere, it looks flashy and great on the surface but dig deeper and you'll find a rotten underbelly populated by maggots. A carnival is confusing. A carnival is the perfect symbol for a decade of decadence, that's what the 2000s were and right now we're feeling the start of that hangover. We're in the same category as the 20s and the 80s. The last song on this album sounds like a carnival winding down. It's tragic sounding, somehow it sounds whimsical at the same time, and always, numb. It's the greatest song on the album and helps support my little pet theory that this album is a mosaic of the entire decade, prophetically released right at the start of it.
I think you're crazy...maybe
I think you're crazy... maybe





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